It’s The End of The World As We Know It
Just developed a couple of Lomo Redscale Films I used in my Supersampler. They were taken over a 2 year period in Incheon, Seoul, Bangkok and Los Angeles. I’ve never used Redscale before… Read More
Just developed a couple of Lomo Redscale Films I used in my Supersampler. They were taken over a 2 year period in Incheon, Seoul, Bangkok and Los Angeles. I’ve never used Redscale before… Read More
I decided to add some variety and not do another still life. The Alfred Infrared is a strong oversaturated film so when it’s used with lenses like the Lucifer VI the effect can… Read More
A wonderfully surreal print from my old friend the John S and a nice even image from the Tejas were the highlights of the Claunch 72 Monochromatic test. The Lucifer VI also produced… Read More
I’m not overly impressed with this film, the prints seem flat and lifeless and the high contrast lenses don’t work too well with this film. I’m wondering if my choice of subject and… Read More
Despite being a black and white there seems to be some muted colours in some of the prints. Continuing a predictable pattern the John S and Lucifer VI produce the best shots and… Read More
For some reason I seem to be shooting a lot trees. I think it’s because I’m fascinated by the structure of the branches, and the branches are more visible at this time of… Read More
The only good thing about being out in a city at night when it’s raining, is that the rain can create some interesting effects. Using Hipstamatic with the trusty John S lens is… Read More
It’s a simple idea. Use Hipstamatic on the iPhone, shake to randomize the settings, shoot without looking and see what happens. I usually choose the best shots and then edit in Photoshop but… Read More
More Hipstamatic photos from my iPhone